Brazil’s video game sector has long operated on a clear and ambitious mission: to establish a prominent, enduring presence on the global stage. For years, domestic stakeholders have worked tirelessly to elevate local development talent, drawing inspiration from established international powerhouses while forging a distinct identity rooted in creativity, technical skill, and cultural richness. At home, this momentum has historically been driven by marquee events designed to capture the attention of both consumers and international stakeholders. Initiatives such as the BIG Festival and, more recently, Gamescom LATAM have served as vital anchors for the local ecosystem. These gatherings are carefully structured to engage local players with a diverse mix of homegrown and international titles, fostering a vibrant domestic gaming culture. However, the ambitions of these events stretch far beyond consumer entertainment. On the commercial side, they function as high-value networking and trade opportunities explicitly designed to attract international publishers, investors, and media outlets. In certain instances, organizers even help facilitate attendance by covering flights and accommodation for key international figures, ensuring that the local hub remains firmly on the radar of decision-makers from major gaming markets. The ultimate objective is manifold: to market Brazil’s rapidly growing development hub, showcase its titles to a worldwide audience, and lay the groundwork for lucrative publishing and co-development deals. Read Also: EU Proposes New ‘Kids Act’ Targeting Video Games, Mobile Monetization, and Online Safety EU Kids Act Threatens Daily Logins and Retention Mechanics in Online and Mobile Games The concerted strategy is already yielding measurable results. According to Patricia Sato, executive operations manager at Brazil Games, the return on investment for participating local companies has never been stronger. "I do have some indication already of the impact we had during Gamescom LATAM," Sato notes, reflecting on the trajectory of recent trade delegations. "This one had the best return of investment from our companies. It is a trend that has been happening with the trade shows we attend." Sato adds with evident pride, "We feel like we are in a good place now and we can really proudly showcase the games we have, and also the services, of course." Going Global Brazil’s industry ambitions are by no means restricted to its domestic borders. Brazil Games—the international export program operating in active partnership with the Brazilian games trade association Abragames and the Brazilian Trade and Investment Promotion Agency (ApexBrasil)—has increasingly taken the nation’s studios directly to the world’s most competitive markets. This international outreach was vividly demonstrated at Gamescom, where Brazil Games maintained a robust B2B exhibition booth to facilitate commercial negotiations. Going a step further, the organization established its very first dedicated Brazil Indie Pavilion within the consumer expo, giving 35 independent Brazilian titles direct exposure to thousands of international attendees. This expansive presence placed Brazil alongside other major international delegations making strong pushes at the event, including South Korea, which has similarly used Gamescom and other global expos to aggressively target overseas expansion. The international push continued with significant momentum toward Asia. Brazil Games recently orchestrated its largest-ever delegation to the Tokyo Game Show 2026, bringing an impressive 31 games companies—comprising 12 playable titles, 21 distinct studios, and a delegation of 55 professionals—to Japan. This record-breaking turnout directly follows the organization’s official debut participation at the event the previous year, signaling a deepening commitment to cracking the lucrative Asian market. For Sato, the debate over the physical and commercial relevance of trade shows is firmly settled. "I have a very strong opinion about the whole ‘are trade shows important or not’? I think they are," she asserts. Pointing out the unique geographical and logistical realities of operating out of South America, she highlights an unexpected logistical quirk of the industry: "Sometimes, as Brazil is ginormous, most of our companies we can only meet at the international events. It’s so funny that we have to get out of Brazil to talk to those guys that are also Brazilians." Beyond domestic networking, Sato emphasizes the sheer necessity of face-to-face interaction for sustaining long-term international commerce. "For us, it’s very important to establish these connections. And you can imagine how important it matters for you to keep your partnerships and business partnerships running as well." International Inspiration As Brazil refines its strategic roadmap, industry leaders are looking closely at how other nations have successfully cultivated thriving video game economies. The global map of game development hubs features diverse success stories, including Türkiye, China, and Sweden. Each of these regions has achieved international prominence through distinct drivers and specialized market niches. Türkiye’s explosive rise, for instance, has been heavily buoyed by robust government backing, a steady influx of seasoned talent establishing new independent studios, and a continuous wave of substantial funding—including vital capital sourced from homegrown domestic investors. Brazil, meanwhile, has been cultivating its industrial capabilities over many years. In recent times, the country has earned a stellar reputation internationally for its exceptional co-development and outsourcing services, proving its technical reliability to major overseas publishers. To capitalize on this technical foundation, the domestic sector is actively constructing a more supportive institutional ecosystem. A new legal framework for the video game industry has recently been established, designed to dismantle historical barriers and pave the way for accelerated structural growth. Complementing this legislative milestone is the ongoing progress of the Brazil Games Accelerator, which recently marked its first official year by welcoming a cohort of 40 ambitious studios looking to scale their businesses and operational capacities. Rodrigo Terra, president of Abragames, notes that the nation’s strategic vision is heavily inspired by rapidly emerging markets like Türkiye and India, while remaining open to valuable cooperation with peers across different continents. "We want to build the global South now, so we need to join forces to do that," Terra explains. He specifically highlights prospective partnerships with nations like South Africa and New Zealand, noting that Brazil’s own proactive trajectory is increasingly viewed as an inspiring model for other emerging regions seeking to formalize and expand their domestic game industries. Despite these promising institutional developments, Terra acknowledges that translating legislation into tangible economic impact remains an ongoing challenge. Much work is still required to operationalize the new framework, particularly regarding the implementation of effective government grants, financial incentives, and tax relief mechanisms. Terra estimates that comprehensive support structures will take time to fully materialize, setting a target for the end of 2027 to see roughly 80% of the foundational support mechanisms fully operational. "It takes time, I mean it’s politics, it takes time," Terra reflects, underscoring the persistence required to enact systemic change. "You need to be present, you need to be resilient and be there all the time." Post navigation EU Proposes New ‘Kids Act’ Targeting Video Games, Mobile Monetization, and Online Safety